![]() ![]() Unlike the "faux-finish" of synthetic plasters, they are durable and retain their beauty longer. These plasters will, over time, turn to stone. Lime-based plasters are true Venetian plasters.Which one you use will depend on your budget and level of expertise. Venetian plaster comes in two varieties: synthetic and lime-based. “The curves all work together but become more enhanced when they have an opposing but complementary counterpart, like the Designers Guild’s Cubist settee fabric with its sharp, perpendicular design.Choose a plaster. In this case, it was a Murano chandelier from 1stDibs that “softened the palette, so we could pop in the flashy gold polished brass coffee table by Statements by J,” she continues. Rounded green wallpaper from Shagreen Art matched with two hot pink Chivasso velvet chairs calls to mind Pop art, but “we also think every room needs something antique to keep the space timeless,” she says. Her team took note of the pages that spoke to the clients, then enhanced those features throughout. ![]() Photography courtesy Merrilee McGehee DesignĪn art book published by Taschen served as designer Merrilee McGehee’s launch point for the living room in her remodel of a ranch-style home in Austin. “Everything that I did on one side of the room,” she points out, “needed to be carefully balanced on the other.” Sara Bengur InteriorsĪ botanical wallpaper from Shagreen Art ups the exuberance in this living room by Merrilee McGehee Design. Symmetry was also key to Naranjo’s vision, so she established a frame around the decorative mantel with the furniture placement. Carmel Brantleyįor the living room in the Mediterranean Revival villa that designer Alexandra Naranjo revamped on “one of Palm Beach’s most charming streets,” she constructed a color story that “echoed the palette of the views from each and every window, to literally make the line between indoors and outdoors disappear.” Focusing on crisp blues, seafoam greens, and “neutrals that complemented the preponderance of coquina stone-a Palm Beach staple,” Naranjo brought together a custom-made Patterson Flynn rug and antique sunburst mirror with Pierre Frey and Cowtan & Tout fabrics and lighting from Visual Comfort & Co. “It is a lovely way of treating the walls and comes together so beautifully with the fabrics and trim.” Murphy Deesignĭesigner Alexandra Naranjo leaned into coastal inspirations for the living room of a Mediterranean Revival villa in Palm Beach. “Matisse even used this pattern in one of his interior scape paintings,” she says. Ghia’s favorite element is Quadrille’s undulating Bali Hai wallpaper, because of its classic appeal. Lee Jofa’s Althea chintz, used on the pillows and French chairs, mixes with the bespoke sofas as well as a trove of vintage items and antiques (including a rug and coffee table sourced from West Palm dealers). Throughout the renovation of a landmark Coral Gables, Florida, home built in 1926, local designer Elizabeth Ghia enlisted various shades of blue and green-her clients’ favorite colors-but in the formal living room, she invigorated the palette with soft pink on the ceiling, on curtains buoyed by Samuel & Sons brush fringe, and on the custom shades crowning Christopher Spitzmiller lamps. Photography courtesy Elizabeth Ghia Interiors Elizabeth Ghia InteriorsĪ landmark Coral Gables, Florida, home gets a colorful refresh courtesy Elizabeth Ghia Interiors. Found treasures-including a Jean Royère table snapped up at Kamelot Auctions in Philadelphia and vintage Karl Springer and Michael Taylor lamps-round out the space. And the studio was keen to illuminate “modern conveniences, such as heated bluestone flooring, with style references to original elements, like wrought-iron details on oak cabinetry,” adds partner Mikal Eckstrom. “The antelopes seemingly dance across the room, and their spots are repeated on a larger scale with the cowhide rug that grounds the seating area.” This space, as well as its adjoined kitchen, is a new addition to the home’s historical footprint. ![]() “We loved that it was ‘age appropriate’ for the house and gave a bright blue jolt that repeats the cobalt of the kitchen’s Lacanche range,” says partner Mark Eckstrom. An archival Schumacher fabric designed by Paul Poiret in 1930 establishes the narrative for the sitting room in Studio Eckstrom’s down-to-the-studs rehab of a 1927 Spanish Colonial Revival in Omaha. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |